Thursday, February 23, 2012

New Book Coming from J.K. Rowling!

UPDATE: Book to be published by Little Brown!

Here's what JK Rowling said through Little Brown's press release:
Although I've enjoyed writing it every bit as much, my next book will be very different to the Harry Potter series, which has been published so brilliantly by Bloomsbury and my other publishers around the world. The freedom to explore new territory is a gift that Harry's success has brought me, and with that new territory it seemed a logical progression to have a new publisher

Original post started here:
Did you hear the news?!?  J.K. Rowling's agent has announced the upcoming release of her new book!  And it's for adults!

Here's what The Blair Partnership had to say:

We are please to announce that our client, J.K. Rowling, will be releasing a new novel for adults. Further details will be announced later in the year.


So, what do you think?  A book for adults!  I don't think it will be fantasy, as she said previously that she thought she'd covered that.  So, what type?

Also, I'll go back to our earlier speculation thread on when Jo would make the announcement and see who came closest to guessing this.  Will post back here soon!

UPDATE: I just checked the earlier speculation thread, and so far, two predictions seem to be close to target!  First off, author Lisa Gail Green predicted the next release would be for adults! Yay Lisa!!  And I was 9 days off predicting when the book would be announced as I had chosen February 14 for an announcement.

Still waiting to see when the release actually is to determine which predictions came closest!

Also, @HPSupporters is reporting that JKRowling.com will be redesigned and re-launched later this spring. You can sign up for further announcements at Jo's website.

UPDATE: Rowling's agent, Neil Blair, revealed through an Associated Press story that "there had been no auction."  Writers will surely be curious about this development.

I would think that if Little Brown had pre-empted, that Blair would have said so, which leads me to think that Blair and Rowling must have approached the publisher Jo most wanted to work with.  What do you think?

UPDATE: Yes, PublishersWeekly mentions rumors that Little Brown was given an exclusive!

Also, be prepared for a spring full of games and fun from Jo!  If she's true to form -- and by announcing the book without announcing the title and genre, it seems like she will be -- we're in for several weeks of hints and clues to string us along and keep the excitement building!


Keep coming back!  I'll update this post throughout the day as the story unfolds!

Photo credit from @HPSupporters.

Tuesday, February 14, 2012

Happy Valentine's Day, Hogwarts Style

To celebrate Valentine's Day, I thought it might be fun to break apart the first Valentine's we get to celebrate at Hogwarts in Chamber of Secrets.  The only other Valentine's we see is when Harry takes Cho to Madam Puddifoot's in Order of the Phoenix.  However, it's the delightful scene in CoS that I want to examine because I think J.K. Rowling presents a wonderful study in how to weave significant details into your writing in order to make one scene serve a multitude of purposes.

True to form, Lockhart, out of touch with the other professors and students, has planned a surprise for the school to lift everyone's morale after the devastating attacks which have left Mrs. Norris, Colin Creevey, Nearly Headless Nick, and Justin Finch-Fletchley petrified.  He's decorated the Great Hall with "large, lurid pink flowers," caused heart-shaped confetti to fall from the enchanted ceiling, and is dressed in lurid pink robes himself.

But worst of all, at least for Harry, he's brought in dwarfs to play Cupid and deliver Valentines throughout the school:
    Lockhart clapped his hands and through the doors to the entrance hall marched a dozen surly-looking dwarfs.  Not just any dwarfs, however.  Lockhart had them all wearing golden wings and carrying harps.
    "My friendly, card-carrying cupids!" beamed Lockhart.
The other professors are not so happy, especially Snape, who looked "as though the first person to ask him for a Love Potion would be force -fed poison."  The dwarfs interrupted classes all day to deliver their Valentines, but later in the day, in a crowded corridor, one catches up to Harry:
    "Oy, you!  'Arry Potter!" shouted a particularly grim-looking dwarf, elbowing people out of the way to get to Harry.
    Hot all over at the thought of being given a valentine in front of a line of first years, which happened to include Ginny Weasley, Harry tried to escape.  The dwarf, however, cut his way through the crowd by kicking people's shins, and reached him before he'd gone two paces.
Harry tries to get away, and the dwarf grabs hold of his bag, stopping him.
With a loud ripping noise, his bag split in two.  His books, wand, parchment, and quill spilled onto the floor and his ink bottle smashed over everything.
To make matters even more humiliating for Harry, at that moment, Draco shows up, making Harry shove everything into his bag.
    Losing his head, Harry tried to make a run for it, but the dwarf seized him around the knees and brought him crashing to the floor.
    "Right," he said, sitting on Harry's ankles.  "Here is your singing valentine:
                   His eyes are as green as a fresh pickled toad,
                   His hair is as dark as a blackboard.
                   I wish he was mine, he's really divine,
                  The hero who conquered the Dark Lord.
As Percy disperses the students, some laughing so hard they were crying, Draco takes the opportunity to seize Riddle's diary, which he mistakes for Harry's.
    "Wonder what Potter's written in this?" said Malfoy...A hush fell over the onlookers.   Ginny was staring from the diary to Harry, looking terrified.
Harry loses his patience, shoots Expelliarmus at Draco, retrieving his diary, and gets reprimanded by Percy.
    But Harry didn't care, he was one-up on Malfoy, and that was worth five points from Gryffindor any day.  Malfoy was looking furious, and as Ginny passed him to enter her classroom, he yelled spitefully after her, "I don't think Potter liked your valentine much!"
    Ginny covered her face with her hands and ran into class.  Snarling, Ron pulled out his wand, took but Harry pulled him away.  Ron didn't need to spend the whole of Charms belching slugs.
Only when Harry reaches Charms does he notice that although all his other books are covered in scarlet ink, the diary is remarkably clean.  Harry's so intrigued by this that later that evening, he escapes the Twins' endless singing of "His eyes are a green as a fresh pickled toad," to hide-out in his dorm and examine the diary alone...which leads to his first encounter with Tom Riddle and his dip into Riddle's memory of Hagrid's "capture" from fifty years before.

Truly, I think these 4-5 pages from Chamber of Secrets offer an intense lesson from Rowling on how to pack each scene with dynamite.  With so few pages, she does so much.

She:

  • plays true to Lockhart's developing character by using Flitwick's, McGonagall's, and Snape's reactions to show that Lockhart is out of touch with the others, even though he sees himself as the ultimate in cool.
  • takes normal syrupy images of Valentine's Day and gives them a decidedly fun and wicked twist.  "Surly" dwarfs roam the school with one heavily-accented Cupid who kicks students' shins, tackles Harry to the ground, and sits on his legs.  This is by no means a traditional angelic Cupid.
  • repeats past themes and conflicts with Harry able to disarm Draco, as he'd not done during the Dueling Club
  • adds another reference and reminder of the green of Harry's eyes
  • demonstrates the difference in feeling in the relationship between Harry and Ginny.  She's thinking romance, and he's just not there yet.
  • plants clues toward the Chamber of Secrets mystery, showing Ginny's reaction to seeing the diary.  Please note that as always when Rowling inserts a clue, she also provides distraction.  Here, Draco's taunt of Ginny having sent the Valentine leads the reader to assume that Ginny's fear is a result of Harry finding out she sent the singing dwarf.
  • and beneath it all...Jo sneaks in that spilled bottle of ink...a critical step in the unraveling of this book's mystery plot and presented as a minuscule detail, quite by accident.

As writers, we know that each scene must serve a purpose.  Every scene we construct must either show character development, propel the plot, intensify the conflict, or somehow move the story forward.  As we grow more skilled, we try to layer each scene with as many of these objectives as possible.  But to be truly challenging, to go to the Rowling-scale of scene building, we'd need to carefully construct each scene so that every detail we layer in adds to the whole in a significant manner while pushing the story forward and not weighing it down.

Easy, right?

But there are ways to make our writing easier, and I think questions are a great place to start.  After writing the rough draft of a scene, take the time to step-back and analyze it.  What more can this scene do?  Where are there possibilities for tying what's happening here to elements that have come before and that will come afterward?  What details can I insert, with minimum word count, that will deliver a stronger punch?

Questions like these can help us deepen our work and make it stronger.  What else can you ask?  What more can a scene do?  What elements do you see in JKR's Valentine's Day that I've missed?

Monday, February 6, 2012

Wanted, Always: The Baddies of Harry Potter!

I popped over to one of my favorite bloggers today, Laura Pauling, to see her fabulous want-ad posters based on YA novels with great log lines.  She's participating in a contest started by Heather Kelly.

So, I thought it would be fun to try some Harry Potter wanted posters based on the baddies of the series.  Take a look:

(Note: I've added captions as the font on the posters is slightly hard to read.)


For Delusions of Grandeur; Draco "Ferret" Malfoy; 50K Galleon Reward


Draco loved throwing his wealth and position in everyone's face, but underneath, he was always seeking to be in the "in crowd," first with Harry, then with his Slytherin cronies, and finally as a Death Eater.


For Abuse of Personal Hygiene; Severus "Slimeball" Snape; 75k Galleon Reward


Forget all the hoopla about whether Snape murdered Dumbledore or not, His Royal Slimeball's true crime is an affront to personal hygiene everywhere.


For Losing at "I Got Your Nose"; Voldy "Noseless" Mort; 99K Galleon Reward


Yes, He Who Must Not Be Named, the darkest wizard in over a hundred years, the murderer of Fred, Collin, Tonks, Lupin, Harry's parents, and too many more to name, couldn't win at a game of "I got your nose!"

And let's not forget the woman behind the man, the crazed, fierce witch who crucio'd Neville's mum and dad and killed our beloved Padfoot.  But what did she do behind the scenes to warrant her arrest?:

For Snagging Voldy's Nose; Bellatrix "Loverwitch" Lestrange; 65K Galleon Reward


Can you think of more?  I'm SURE you can.  Here's the link to where you can make wanted posters yourself.  If you do a book poster, be sure to enter it in Heather's contest, info here.  But if you do a Harry Potter one, either send me a link, or e-mail me a copy (SPSipal AT gmail) and I will add more throughout the day.

This should be fun!

Finally, don't forget, my month-long, online Writer's Guide to Harry Potter workshop starts today!  Hurry and join, it's not too late!

YOU - For Learning the Craft Like JKR; Month-long Online Workshop; $10 Entry

(Check Out JK Rowling's Newest Release -- Harry Potter and the Cursed Child here!) 

Thursday, February 2, 2012

NiNoCon Online Writer's Conference



I will be participating in an online writer's conference this Saturday, February 4.  NiNoCon is the brain child of Angela Kulig and Ali Cross and brings together individual authors and discussion panels to present topics such as marketing, querying, social media, and indie publishing.  You can see the complete schedule here.

I will be presenting a workshop on The Top Ten Tips from Harry Potter for Writers at 1 pm EST.  The material is live now and I will be online at 1:00 to chat, answer questions and discuss anything Harry Potter and writing related with those interested.  You can find the link to the chat here.

NiNoCon looks like it will be a fun and informative event.  I hope you will join me!

Also, as a reminder -- I will be starting a month-long, online workshop which delves intensively into studying JK Rowling's techniques and how to apply them to your own writing.  You can find out more and sign up here.

Tuesday, January 31, 2012

Guest Post: Why A Small Press? by Alicia Rasley

I first met Alicia Rasley several years ago when I was in charge of programming at my local writing chapter and she graciously agreed to come and present a workshop.  I'd heard from so many chapter members who'd been fortunate enough to attend one of Alicia's popular workshops at RWA nationals how fabulous she was.  I learned a lot as well as enjoyed getting to know a writer with such insight who was also so down-to-earth.

Since then, I've followed Alicia's career through a mutual good friend and was thrilled when I saw that she had come on board with BelleBooks, the publisher of my short stories.  Belle (and its imprint BellBridge) is truly making a name for itself as an independent publisher, drawing in top-notch writers, like Alicia.  And so who better to blog about the advantages and disadvantages between a "Big 6" publisher and a smaller press than someone who has been published by both and has been involved in multiple aspects of the publishing industry from writer to instructor to freelance editor for over twenty years?

I know many of you are actively considering which path to pursue among the new possibilities growing stronger in today's publishing.  So, please join me in welcoming Alicia Rasley to the blog!



Why a Small Press?

My publishing career is so checkered, I call it a "herringbone." I've been published by major publishers and a couple small presses, and self-published too. Susan asked me to write about why I chose to go with a small press for my women's fiction novel, TheYear She Fell.

I got my first publication back in the Golden Era of romance publishing, when all the major NY publishers were starting romance lines and romance writers had print runs of 300K. (Not me, but others!) I never benefitted much from that wave as I wrote in a small niche genre (Regencies), but I stayed published by major pubs for more than a decade. I never made much money, but the prestige of major publication helped my teaching career, as nearly everyone was impressed to hear that I was a "Dell author." (Of course, I published only one book with Dell before they suddenly dropped their Regency line. The great thing about prestige is it can be based on singular and long-past events.)

But consolidation of the big publishers in the 90s led to the greater commodification of books, and the multi-nationals didn't seem very interested in marketing to niche readers anymore. Even with a top agent, I couldn't get back into the closed circle with a book I'd certainly considered commercial. Why? Because I'd been writing "small books," with print runs under 40K, the suddenly all-important "numbers" – how successful an author was at making lots of money for the publisher—meant editors had to send letters with high praise and that "Unfortunately" last paragraph. ("Unfortunately, with the market as it is, we can't take a chance on Alicia who hasn't the record of success we want.")  I knew the book was good, and I knew it would sell well if it got the chance. But it looked like I wasn't going to get a chance. Then someone suggested submitting the book to Belle Books, a small press that a friend of mine had started years ago with some friends.

Small Press, Big Advantages
For someone like me, who had mostly read big-press books, and had published only with "The Big Eight" (soon to become The Big Seven and then The Big Six), looking beyond NYC for publication was scary.  I mean, I'd heard about small presses, but thought they published only literary fiction and poetry, and regional publishers, but thought they published only local histories. Boy, did I get an education when I sold the book to Bell Bridge Books (the women's fiction imprint of Belle Books). I learned that small presses like BB can aim for niche readers because their lower overhead (no Manhattan office to rent!) means they don't have to sell as many copies to make a profit on a book.  I also learned that compared to the ocean-liner-sized major publishers, a small press is like a nimble cruiser, able to turn on a dime to take advantage of new technologies and techniques. So though my book came out initially in print, the publisher quickly realized that the rise of the Kindle and other e-readers would open up low-cost opportunities. So they published my book in several electronic formats, and while the sales were small for the print edition, the title caught on for Kindle readers.

The costs are lower, and the royalties much higher in e-format, and a small press like mine can experiment without much cost. For example, my publisher put the book up for free in Kindle format the week after Christmas 2010. I admit, I thought it was crazy to give away books. But it worked, generating many reviews and getting the book onto the top 10 list in the Kindle store. Even when the free period ended, customers still downloaded the book, only this time they paid for it.  In fact, for a brief moment (and I do mean a moment), my book was the #1 bestselling book on Amazon Kindle. Hey, it's not the NYTimes, but you better believe I now call myself a "bestselling author." For a Regency writer, used to sales in the lowest five figures, this was a heady experience. (And yes, I checked my ranking constantly, and suffered through every bad review too!) And when I got my first royalty check, well, it didn't pay for a new Lexus, but it was several times larger than any of my big-press book royalties.

So paradoxical as it seems, giving the book away was an effective way to sell the book. But I'd never encountered that method with a big press. They didn't even like to give the author many copies.

And small presses are more likely, I think, to explore opportunities for alternate revenues like foreign sales and subsidiary rights, because that way they can maximize income from their relatively short list of books. Just an example: the Harry Potter books were released both in the UK and the US by relatively small presses. Of course, these novels sold millions, but much of the revenue (JK Rowling is the first writer to become a billionaire) came from adroit dealing of film rights and other sub-rights. Of course, the big presses do try to sell film rights and the like, but very seldom for books in the midlist or below.

Trade-offs
There are, of course, limitations to the small press experience. The advances tend to be small because the companies are usually under-capitalized, using the profits from one book to fund the production of the next. The smaller presses can't afford to have marketing divisions that go out and sell the books to big accounts. (On the other hand, this means that the marketers don't get to interfere with editorial decisions as I kept running into with big publishers.) Small presses also don't have the clout to force booksellers to sell a "small" book in order to get enough copies of a "big" book like a Grisham or a Koontz.

There are always trade-offs in any decision, and going with a small press has meant giving up a few perks, especially the powerful influence created by the huge multi-national publishers. However, my decision was validated this Christmas, when my publisher once again did a marketing push for my book (now out for more than a year), and got The Year She Fell up onto the bestseller list again. This persistence was in great contrast to my experience with big publishers, where a book was pretty much up for sale for the release month, and never again. I'd gotten used to doing a frantic round of promotion that month, and then seeing the book taken from the store shelves and stripped to be sent back to the publisher.  Instead, here I am in awaiting a second sizeable January royalty check, because my small press can keep the book for sale literally for years.

So I think my own experience shows that there's no reason to confine our submissions to big New York publishers. Small presses might have the flexibility and resilience to keep up with the near-constant changes in the marketplace. However, because small presses don't have the name-recognition and long public histories of a Random House, I'd suggest doing some due diligence before signing that first contract.  Google the company name and check with the author-warning sites (like Preditors and Editors) to make sure there aren't a lot of author complaints (especially ones concerning unpaid royalties!).  Read the contract carefully and compare it with sample big-press contracts. Make sure that you're not expected to contribute any funds of your own. Ask about the company in your writer's groups and lists. Check the biographies of the company personnel to see if there's a good mix of editorial and business expertise.  Check their own website, and the sales pages of some of their books at Amazon or bn.com to see if the presentation is professional. Finally, talk through with the publisher what is planned for your book in terms of publication and marketing. These common-sense precautions will also help you get to know the publisher and get some ideas of how together you can make your book a success in a rapidly changing marketplace.

Has anyone else tried the small-press route? What's been your experience?
Alicia


 Bio:
 Alicia Rasley is a Rita-award winning author and nationally known teacher of writing workshops. She teaches composition and tutors students in two state universities. She grew up in the mountains of Southwest Virginia but now lives in the midwestern flat land. Her book The Year She Fell has been a Kindle fiction bestseller.

Her blog is at: www.edittorrent.blogspot.com, and her website is www.rasley.com. Her writing book, The Power of Point of View, is still available from Writer's Digest Books. All her books can be found on her Kindle page.


~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~


Susan here -- Thanks so much, Alicia, for sharing your years of experience and wisdom with us!


Alicia is willing to take questions, so please feel free to post in the comments.

Friday, January 27, 2012

Have You Considered the Risks of Publication?

"My family and I were literally under surveillance for their amusement... There's a twist in the stomach as you wonder what do they want, what have they got? It feels incredibly threatening to have people watching you." --  JK Rowling

I read several blog posts yesterday discussing the news that JK Rowling had settled out of court with her former literary agent, Christopher Little. Speculation ran wild and rampant as to why she left Little and how much she had to pay to close his mouth. Some of the speculation was clearly negative toward Rowling, accusing her of betraying the man who brought her out of obscurity and "conjured up her millions."  As if her storytelling had nothing to do with it.

But, what do any of us really know about what happened in that professional relationship? It's almost like looking at a marriage from the outside. If you're not in the bedroom, do you really know who said what and who did what? Plenty of writers leave their agents every day...and sometimes, for just cause.  If you've been writing any length of time, I'm sure you know someone who has.

The repercussions are much larger, however, when you've achieved the wealth and fame of a Rowling.

Once, just like many of us, Jo was an unknown, unpublished writer who had no idea if her story would even sell, much less become a world-wide publishing phenomenon. As she said herself when asked if she'd known how successful her series would one day be, "I'd have to have been insane to have imagined this." And that was in the year 2000!

While most of us will not get the huge bank accounts, instant name recognition, and the perks that go along with both, we'll also not face the stress and trials of having (perhaps unwittingly) left our privacy behind.

If we leave our agent, we're not going to make headlines. While we might have a few writing friends and acquaintances gossip behind our back about why we did it and who done whom wrong, we're not going to become fodder for the tabloid press.

Also, most of us are at no risk of having reporters with zoom lenses snap photos of us in our bikinis as we vacation with our families on the beach. We don't have to worry about someone rummaging through our bins, looking for any snippet on our upcoming release. We're not likely to get sued almost yearly by some rinky-dink author from years ago with a barely published story claiming plagiarism. And we won't have to testify in court proceedings about reporters slipping notes into our children's backpacks.

However, as unlikely as it may be, for every single one of us, once we let our stories out into the world, we relinquish a certain amount of control over both them and our privacy. Have you considered this? Even without achieving the level of success as a JKR, many other writers have found themselves facing intense publicity and the loss of anonymity and the security that goes along with it. In an article publishing on Huffington Post this week, Amanda Hocking reflects on the "necessary evil" of letting go of her privacy to promote her books.

We want the best for our books. We tell stories because we want to touch hearts. We hope for the widest audience possible. If that is to be achieved, we must sacrifice certain things. Up front, we sacrifice time, money, and energy as we write late into the night after our day job, skip fun times with our families and friends, pour money we don't have into conferences and workshop to improve our craft. We're all familiar with these sacrifices.

But what about those sacrifices at the back end that we may not have planned for? I heard once that an aspiring author said to Nora Roberts that when she grew up, she wanted to be her one day. Reportedly, Le Nora responded, "Would you? Would you really?"

Think about the sacrifices that Roberts has made to get where she is, as well as the sacrifices she's been forced to make as a result. Think about the crazy fans, negative publicity, and intense scrutiny that has become the norm for authors like Roberts, King, and Rowling. Would you really want to sacrifice your privacy for that? And, by publishing, are you running that risk?

What do you think?  I know this is going to seem like a ridiculous question to most, but have you considered the negative side of what you may face if your publication dreams become a reality?

Also, a heads-up -- You'll want to be sure to check back here next Tuesday when bestselling author Alicia Rasley will guest blog. She's drawing from her many years of experience, both with traditional publishers and with a smaller press, on where to go and what questions to consider amid all the changes in publishing.


Quote from JK Rowling taken from a CBC interview in October 2000.

Tuesday, January 24, 2012

Through the Trapdoor -- JK Rowling's Blueprint for the Harry Potter Series

A couple of weeks back, I did a post, Mirror Mirror on the Series, showing how JK Rowling had plotted books five, six, and seven to reflect three, two, and one, with four as the hinge.  In putting that post together, I discovered another game she'd played, that's really more foreshadowing than it is a reflection. Jo foreshadowed key elements for the entire 7-book series at the end of the first.

Don't believe me?  Then take a look at this.

Chapter 16 of Philosopher's/Sorcerer's Stone, Through the Trap Door, takes the reader with Harry on a quest to stop Voldemort from capturing the Philosopher's Stone and obtaining eternal life.

There are several key gates/challenges along the way that Harry, Ron, and Hermione must pass in order for Harry to triumphantly face Voldemort at the end.  And each of these challenges relates, in order, to an upcoming book.

1) Neville, a Toad, and a Chamber of Secrets:

The first challenge Harry, Ron, and Hermione face, before they even leave Gryffindor Tower, is Neville.  But Neville is not alone.  He's carrying his pet toad, Trevor.  In fact, it's so important for the reader to know that Neville has Trevor that Jo mentions it twice.  Neville has gathered up his courage to face his friends and stop them from losing any more house points.  But Hermione casts a Petrificus Totalus spell on Neville, making him go all rigid and fall "flat on his face, stiff as a board."

A book later, we saw some other people struck with magic go all rigid, stiff as a board -- they too had been petrified.  This happened in Chamber of Secrets as students were attacked by Riddle and Slytherin's pet basilisk, who was born of a hen's egg hatched beneath a toad.  Maybe Hermione should have petrified Trevor as well when she had the chance**.

Then, on the way to the third-floor corridor, Harry, Ron, and Hermione run into Peeves, who though he can't see them, knows they're there and threatens to notify Filch.  He is only dissuaded when Harry imitates the Bloody Baron and threatens Peeves.

Ghosts figured prominently into the plot of Chamber of Secrets as well with Nearly Headless Nick's Deathday party and Moaning Myrtle's "guarding" of the entrance to the Chamber.

2) Prisoners of Devil's Snare and Dementors:

The second challenge the Trio faces also comes in a pair.  Hagrid's pet, Fluffy, a three-headed dog, guards a trapdoor that drops them onto Devil's Snare.  To get past Fluffy, Harry must play a bit of music from the flute Hagrid gave him for Christmas.  And when they drop onto Professor Sprout's Devil's Snare, it immediately snakes its tendrils around Ron and Harry's legs and arms, imprisoning them.  Only Hermione, the last to drop and the first to see the danger, can set them free with the light of a fire.

"Devil's Snare, Devil's Snare...what did Professor Sprout say?--it likes the dark and the damp--"
[Hermione] whipped out her wand, waved it, muttered something, and sent a jet of the same bluebell flames she had used on Snape at the plant.  In a matter of seconds, the two boys felt it loosening its grip as it cringed away from the light and warmth.

Sounds almost like casting a Patronus at a Dementor, doesn't it?  A Dementor who also lives and breeds in the dark and damp.

We first meet the Dementors in Prisoner of Azkaban, where Hagrid again has a fearsome pet, Buckbeak, who Harry is able to tame and ride.  And it is through Buckbeak, and the light of truth, that Sirius, a prisoner of lies, is finally set free.

3) Flying Keys and Disguised Villains:

Flitwick's challenge involves hundred of winged, flying keys, disguised as birds, where only one fits the door through which they must pass.  The Trio must fly high among the keys to seek out and catch the one key which will allow them to continue.  In a game of magical cooperation, Harry directs the other two and puts his Seeker skills to the test to identify and capture the true key.

In Goblet of Fire, Harry once again uses his flying skills to capture the golden dragon's egg, which is the key to the next challenge in the Triwizard Tournament.  Furthermore, in this book, we are introduced to some very special keys, portkeys, which carry Harry and his friends to the Quidditch World Cup, and then Harry and Cedric to face a rejuvenated Voldemort in the graveyard.  And finally, Pseudo Mad-Eye's disguise is removed to reveal the true face of Voldemort's most loyal servant, and the true Mad-Eye hidden in a trunk guarded by seven locks.

4) The White Queen of Death and the Noble Knight:

Fanart by glockgal
After Harry, Ron, and Hermione pass through the door guarded by keys, they are confronted with McGonagall's life-size, transfigured chess games.  Harry becomes a bishop, Hermione a castle, and Ron a knight as he directs his friends about the board.  Finally, Ron sacrifices himself to the white queen so that Harry can checkmate the white king and proceed.

In Order of the Phoenix, as the Order faces the Death Eaters in battle, a noble knight is indeed lost to a queen as Sirius is killed by Bellatrix, Voldemort's top female warrior, giving his life to protect Harry.  Harry then confronts Voldemort and, in the end, forces him out of his body.

5) Potions and Memories from a Half-Blood Prince:

The Trio then passes a foul-smelling troll, who has already been knocked out by Quirrell, who'd placed him there anyway.  They enter a room with a table holding seven bottles of potions--Snape's logic challenge.  Hermione figures out the riddle, which allows her to determine which bottle is safe for her to drink to go back, get Ron, and summon the absent Dumbledore, and which one is safe for Harry to drink in order to proceed through the flames and face Voldemort alone.

In Half-Blood Prince, Snape is once again the object of a logic puzzle.  Harry is in possession of Snape's old potions book, but doesn't know who the Half-Blood Prince is to whom it belonged.  Not only must Harry figure out who is the potions master in this HBP challenge, but he is confronted with seven vials.  Instead of potions, however, these vials contain memories providing insight in Voldemort's past to prepare Harry for the ultimate confrontation.

6) Facing the Conflict of Desire and Sacrifice:

Finally, Harry stands face to face to face with The Man with Two Faces.   He looks deep into Dumbledore's Mirror of Erised and sees himself in possession of the Philosopher's Stone.  And when Quirrell/Voldy finally attacks, he cannot touch Harry because of his mother's sacrifice to save her son's life.

Likewise, in Deathly Hallows, Harry must finally face Voldemort alone, but capable this time, after having passed through the prior challenges, of finally defeating him.  After an internal struggle of facing what he truly desires, Hallows or Horcruxes, an intense challenge forced upon him by Dumbledore, Harry sacrifices himself to save others. As a result, he gives those he loves the same protection from Voldemort which his mother gave him.

I don't know about you, but I find it amazing that JKR had plotted her series so in depth from the beginning, that she was able to include all these clues in the first book.  Foreshadowing like this comes from hard work and preparation.  It is because Jo took the time to plot out her whole series before publishing Philosopher's Stone, and knew intimately what was to come, that she was able to drop these clues in from the very start.

What's more, JKR didn't stop with setting the stage for key elements in each of the books to come, but she also foreshadows the final battle.  Each of the professors who provided a protection at the end of Philosopher's Stone, also provides a weapon against Voldemort during the Final Battle.

Professor PS/SS Protection DH Weapon
Neville himself himself as resistance leader and beheading Nagini
Peeves himself dropped giant worms
Hagrid Fluffy Grawp
Sprout Devil's Snare Devil's Snare
Flitwick Winged Keys Incantations; (a shield charm Protego Horribilis)
McGonagall Human Chess Game Mobilized Suits of Armor
Snape Potion Logic Riddle Taught Harry to control emotions and provided final memory
Dumbledore Mirror of Erised At King's Cross, informed Harry he had choice between joining his family or going back to fight, also forced Harry to examine his innermost desires and deliberately choose to not go after the Elder Wand for himself.
**Although it could be argued here that these points of comparison are more of a wrap-up, where she made the parallel links work at the end rather than having foreshadowed at the beginning.


A couple of other foreshadowed tidbits from the first book:

  • Petunia saw Dedalus Diggle in a shop in PS/SS when he bowed to Harry; he is part of Dursley's escort in DH
  • The original quidditch team are all at Hogwarts for the Final Battle
  • Snape is bitten by Fluffy in PS/SS and bitten by Nagini in DH.

I love how JKR plays with her reader by inserting these clues and making these connections.  She used tricks like this to help set the tone and establish the rules.  Jo wanted her reader to play along with her.  While she wanted the reader deeply invested in the emotional arc of the story and characters, she also wanted their minds fully engaged in analyzing the mysteries and finding the Easter eggs hidden about.

I'm really curious, have any of you ever tried playing a game with your readers like this?  Also, what other links between the ending of PS/SS and the upcoming books did I miss?


** The note about Hermione petrifying Trevor is meant as a joke as the basilisk is several hundred years old. But what JKR is doing here is providing a slight link from one toad to another.  This is an example of her running bit clues.

(Check Out JK Rowling's Newest Release -- Harry Potter and the Cursed Child here!)  
 

Thursday, January 12, 2012

Upcoming Online Workshop - A Writer's Guide to Harry Potter

Are you a writer wanting to improve your craft?  Would you love to learn some of JK Rowling's techniques which helped make Harry Potter the phenomenon it became?  Put your cold days of February to good use and join me for my month-long online workshop, A Writer's Guide to Harry Potter.

Cost is $10 for the whole month.  This will include all the lessons plus class discussions and feedback for any questions you have as to how the material relates to your own work.  You can sign-up via PayPal below, and once you do, you will be subscribed to the class Yahoo Group.  The workshop begins Monday, February 6 and runs through Sunday, March 4.

Beware -- the lessons are intense and include a lot of reading.  While beginning writers will learn a lot, the workshop is not geared to be an introduction to writing but rather an immersion into what we as writers can learn by studying JK Rowling's work.

The normal lesson plans are listed below, but the course is flexible to the needs of the students, so will include new topics as brought forward by those who participate.

Workshop Summary:
Though many an envious writer would like to think JK Rowling’s secret to success is just a bunch of magical mayhem, we Muggle writers can learn from the skills which have made her Harry Potter series more than beloved, but truly an absolute obsession among millions.

Using Ms Rowling’s phenomenally popular series as a base, we will delve below the surface of her prose to determine what made her writing so magical for so many. Learn about giving the reader more, the value of subtext, using mythic themes and structure to advantage, plotting a trail-of-clues mystery, and the business of self promotion.

Please note that while familiarity with the series is helpful, it is not required. Also, this is not a workshop about writing fantasy (magic), but rather about how to learn techniques from a bestseller in order to improve your own writing and style. While fantasy will be included, the workshop is by no means geared exclusively to that genre.

Lesson Plan:
Introduction: No Polyjuiced Pretenders Here
(On Learning Techniques, not Cloning a Duplicate)

Lesson One: Characters with More Emotional Range than a Teaspoon
(Characterization)

Lesson Two: Quidditch, A Prisoner of Azkaban, and Thestrals to MoM
(Voice and Reader Fulfillment)

Lesson Three: Return to the Dursleys
(Establishing and Breaking Story Patterns)

Lesson Four: Shrieking Shacks, Whomping Willows, and Moaning Myrtles -- or the Dark Lord's in the Detail
(World Building)

Lesson Five: Revealing Wormtail
(Dropping Clues, Hiding Secrets)

Lesson Six: Put a Fidelius Charm on Your Godric's Hollow
(Backstory)

Lesson Seven: Myth Connections
(Mythic Structures, Archetypes, and Themes)

Lesson Eight: His Royal Snivellus -- the Ambiguity of Snape
(Themes and Borders)

Lesson Nine: Of Grindelwald and Hitler
(Real World Relevance)

Lesson Ten: Keep it FUN
(Engaging the Reader)!

Lesson Eleven: Draco Loves Hermione! At least in fan fiction.
(Fan Involvement)

Lesson Twelve: Make a Magical Impression in the Muggle World
(A Few Tips on Building a Public Presence)

Bonus Lesson: Flying High Above the Quidditch Pitch
(High Concept and Pitching Your Manuscript)


You can find out more about me by reading my bio pagepast publications, and past workshops.

Sign up here:

A Writer's Guide to Harry Potter month-long online workshop

WHEN: Monday, February 6, 2012 - Sunday, March 4, 2012

COST: $10 USD

PayPal:




Notes:
As this is my first time teaching this class directly through my own blog rather than a writers group or conference, I am keeping the registration cost lower than normal.

Also, most of the prepared lessons are the same as what is included in the Kindle version, A Writer's Guide to Harry Potter.  Where the workshop differs is in the personal feedback through the month-long course and the additional materials as presented due to the needs and questions of the participants.

Have questions? E-mail me at SPSipal AT gmail DOT com.