One excellent way to demonstrate character in a story is to show how your hero or secondary treats other people. Or, in the words of the immortal Sirius Black, "If you want to know what a man's like, take a good look at how he treats his inferiors, not his equals." (GoF, p. 525) Through the course of the last three books, JKR gives the reader insight into the character of three men based on how they treat one considered an inferior, a house-elf named Kreacher.
Sirius Black -- In Order of the Phoenix, Sirius hates the sight of Kreacher and treats him terribly. But it is not Kreacher himself whom Sirius hates as much as it is what Kreacher stands for. Kreacher is the last surviving remnant (aside from Sirius) of the pureblood, aristocratic, and extremely bigoted Black family. Sirius seems to hate everything about his family and what they stood for, which resulted in him running away at sixteen to go live with Harry's father, James. Sirius' mother subsequently blasted her son from the Black family tree tapestry.
Unfortunately, this very understandable feeling Sirius harbors towards his family's prejudices results in him treating one beneath him with an attitude bordering on his family's bigotry. And in the end, is what causes Kreacher to fatally betray Sirius to his Death Eater cousin Bellatrix.
Lord Voldemort -- In the "Kreacher's Tale" chapter of Deathly Hallows, Kreacher reveals to Harry, Ron, and Hermione how his master, Sirius' brother Regulus, a Death Eater, had requested that Kreacher go with Lord Voldemort on a secret mission. This mission involved Kreacher accompanying Voldemort to hide his Horcrux locket in the cavern. Voldemort wished for a house-elf to accompany him because he considered the elf's magic less important and the elf himself expendable. Voldemort forced Kreacher to drink the basin of poison and then left the elf alone to die at the hands of his zombie-like Inferi.
Showing posts with label Character Arc. Show all posts
Showing posts with label Character Arc. Show all posts
Friday, September 2, 2011
Wednesday, August 3, 2011
More Shining Moments from our Awesome Heroes
Two weeks ago, I posted the first half of the character development arcs for the Final Chapter series, analyzing the secondary characters. Here, finally, is the promised second half with the major characters.
Remember that to successfully judge a character arc, we need to look at 1) where that character started, 2) what obstacles they had to overcome, 3) what changes occurred along the way, and 4) where they ended up.
Dumbledore:
Dumbledore began the series as the wise mentor and ended as the same. However, along the way we discovered that he had stumbled in his past, rather largely. By allowing his desire for fame and power to overshadow his responsibility to his family, he caused the death of his sister and the loss of respect of his sole-surviving relative. But it wasn't just this snippet of backstory which JKR used to round Dumbledore out. Throughout the story we saw him holding back from trusting others, playing his cards too close to his chest, and in the end, manipulating those around him.
In a way, Dumbledore's arc was more descending than ascending, at least as it took shape in the reader's mind. However, because Dumbledore had acknowledged his sins and tried to prepare Harry to do better, all the while choosing a position of guidance at Hogwarts rather than of power at the Ministry, he is restored to his chair of benign mentorship by series' end.
Dumbledore's Shining Moment -- foreshadows Harry's a book later. When Dumbledore lays down his life so that Harry may carry on, he shows that he is devoted to the true greater good and can, hopefully, make amends for the life he once lost by the many he is acting to save.
Snape:
Snape is such a complex figure that he deserves his own book. It's on my list of things to do! :0 But for now, to put Snape's character arc as simply as possible…
Snape, like Dumbledore, I believe changed more in the reader's mind than he did in his own. He remained true to himself by remaining loyal to Dumbledore and his lost love. As the stakes and danger increased for him, and Dumbledore pushed him to greater acts of spying and risk, Snape met these challenges bravely, even if irritably, to protect the son of the man he loathed and thereby preserve the memory of the woman he loved.
Ironically, Snape's Shining Moment came when he killed Dumbledore. For to honor Dumbledore's wishes and protect Harry's (and Draco's) life, Snape risked the damage his own soul that this horrific act would bring.
Voldemort:
One could argue that as the embodiment of pure evil, Voldemort had no character growth. What JKR did instead with this antagonist is to let us see glimpses into his past that shaped him into the demon he became. Playing on her main themes of love and choice, Voldemort was born and raised without love and then, on his own, made the wrong choices.
Even when given the opportunity for his own Shining Moment at the end by Harry, he could not bring himself to either understand or grab it. For to a man who has never known love or given love, there is no way for him to grasp any empathy for those lives he has torn apart. And empathy is a necessary component of remorse.
Ron:
When we meet Ron he is a poor, somewhat neglected younger brother, living in his older brothers' shadows...which eventually becomes Harry's. By series' end, he has battled with jealousy and his own fears of being loved less to become a passionate and staunch defender of all those he loves. In the Battle of Hogwarts, he is able to throw off Voldemort's silencing charm before anyone else to defy the Dark Lord.
Ron's Shining Moment -- came with his defeat of his own personal Horcrux. The Slytherin locket had held such power over him because Voldemort had played on Ron's deepest fears and insecurities. By returning to those he'd abandoned and stabbing the locket, Ron conquered his dark side and became a stronger man and a more loyal friend.
Hermione:
In the beginning, Hermione was portrayed almost the exact opposite of Ron. She was the know-it-all witch who no one liked. But her fears concealed her inner insecurities of being in an unfamiliar world and her ability to make friends. Along the way, Hermione learned to break a few rules, stand up for herself, stand up for others, and remain strong, even when once again betrayed by the one she'd come to love.
Hermione's Shining Moments are so many that choosing one is hard to do. But I'd vote for her getting the Trio out safely from the Lovegood home as the Death Eaters approached. It was her quick mind that not only saved herself, Ron, and Harry from capture, but also showed them long enough to the Death Eaters so that Xenophilius would not be blamed and harmed.
Harry:
As the hero of the story, Harry, of course, has the most time spent on his character growth. Through making both right choices (Sorting Hat) and mistakes he learned from (Sectumsempra) along the way, Harry overcame every obstacle thrown at him, not only by Voldemort and his band of Death Eaters, but by Harry's own weaknesses. By learning to trust in others and to not seek power for its own sake, Harry has developed himself into a young man capable of willingly and deliberately giving his life so that others may live.
This Shining Moment of Harry's when he gives his life in the dark forest, enables his resurrection in the Great Hall as the man who could strip the power away from Voldemort without damaging his own soul.
While writing in an exotic, fantastic world does give JKR a certain edge in creating eccentric, memorable characters, her basic skills are still ones we can apply to our own writing, no matter the genre. Draw your characters, even your secondaries, in engaging, intriguing, yet realistic detail. Get at their hearts to understand what they are good at...and as with the boggart in the cupboard, what they most fear.
Give each character a goal and a reason to be motivated toward this goal. Make each one face a stumbling block, a hardship or conflict they have to fight against toward attaining this goal. Make your characters conquer real challenges before achieving their triumphs. And through all this, show your characters' choices and development with action, not just with narrative words.
What shining moment have you recently used in finalizing a character arc for one of your characters?
Remember that to successfully judge a character arc, we need to look at 1) where that character started, 2) what obstacles they had to overcome, 3) what changes occurred along the way, and 4) where they ended up.
Dumbledore:
Dumbledore began the series as the wise mentor and ended as the same. However, along the way we discovered that he had stumbled in his past, rather largely. By allowing his desire for fame and power to overshadow his responsibility to his family, he caused the death of his sister and the loss of respect of his sole-surviving relative. But it wasn't just this snippet of backstory which JKR used to round Dumbledore out. Throughout the story we saw him holding back from trusting others, playing his cards too close to his chest, and in the end, manipulating those around him.
In a way, Dumbledore's arc was more descending than ascending, at least as it took shape in the reader's mind. However, because Dumbledore had acknowledged his sins and tried to prepare Harry to do better, all the while choosing a position of guidance at Hogwarts rather than of power at the Ministry, he is restored to his chair of benign mentorship by series' end.
Dumbledore's Shining Moment -- foreshadows Harry's a book later. When Dumbledore lays down his life so that Harry may carry on, he shows that he is devoted to the true greater good and can, hopefully, make amends for the life he once lost by the many he is acting to save.
Snape:
Snape is such a complex figure that he deserves his own book. It's on my list of things to do! :0 But for now, to put Snape's character arc as simply as possible…
Snape, like Dumbledore, I believe changed more in the reader's mind than he did in his own. He remained true to himself by remaining loyal to Dumbledore and his lost love. As the stakes and danger increased for him, and Dumbledore pushed him to greater acts of spying and risk, Snape met these challenges bravely, even if irritably, to protect the son of the man he loathed and thereby preserve the memory of the woman he loved.
Ironically, Snape's Shining Moment came when he killed Dumbledore. For to honor Dumbledore's wishes and protect Harry's (and Draco's) life, Snape risked the damage his own soul that this horrific act would bring.
Voldemort:
One could argue that as the embodiment of pure evil, Voldemort had no character growth. What JKR did instead with this antagonist is to let us see glimpses into his past that shaped him into the demon he became. Playing on her main themes of love and choice, Voldemort was born and raised without love and then, on his own, made the wrong choices.
Even when given the opportunity for his own Shining Moment at the end by Harry, he could not bring himself to either understand or grab it. For to a man who has never known love or given love, there is no way for him to grasp any empathy for those lives he has torn apart. And empathy is a necessary component of remorse.
Ron:
When we meet Ron he is a poor, somewhat neglected younger brother, living in his older brothers' shadows...which eventually becomes Harry's. By series' end, he has battled with jealousy and his own fears of being loved less to become a passionate and staunch defender of all those he loves. In the Battle of Hogwarts, he is able to throw off Voldemort's silencing charm before anyone else to defy the Dark Lord.
Ron's Shining Moment -- came with his defeat of his own personal Horcrux. The Slytherin locket had held such power over him because Voldemort had played on Ron's deepest fears and insecurities. By returning to those he'd abandoned and stabbing the locket, Ron conquered his dark side and became a stronger man and a more loyal friend.
Hermione:
In the beginning, Hermione was portrayed almost the exact opposite of Ron. She was the know-it-all witch who no one liked. But her fears concealed her inner insecurities of being in an unfamiliar world and her ability to make friends. Along the way, Hermione learned to break a few rules, stand up for herself, stand up for others, and remain strong, even when once again betrayed by the one she'd come to love.
Hermione's Shining Moments are so many that choosing one is hard to do. But I'd vote for her getting the Trio out safely from the Lovegood home as the Death Eaters approached. It was her quick mind that not only saved herself, Ron, and Harry from capture, but also showed them long enough to the Death Eaters so that Xenophilius would not be blamed and harmed.
Harry:
As the hero of the story, Harry, of course, has the most time spent on his character growth. Through making both right choices (Sorting Hat) and mistakes he learned from (Sectumsempra) along the way, Harry overcame every obstacle thrown at him, not only by Voldemort and his band of Death Eaters, but by Harry's own weaknesses. By learning to trust in others and to not seek power for its own sake, Harry has developed himself into a young man capable of willingly and deliberately giving his life so that others may live.
This Shining Moment of Harry's when he gives his life in the dark forest, enables his resurrection in the Great Hall as the man who could strip the power away from Voldemort without damaging his own soul.
While writing in an exotic, fantastic world does give JKR a certain edge in creating eccentric, memorable characters, her basic skills are still ones we can apply to our own writing, no matter the genre. Draw your characters, even your secondaries, in engaging, intriguing, yet realistic detail. Get at their hearts to understand what they are good at...and as with the boggart in the cupboard, what they most fear.
Give each character a goal and a reason to be motivated toward this goal. Make each one face a stumbling block, a hardship or conflict they have to fight against toward attaining this goal. Make your characters conquer real challenges before achieving their triumphs. And through all this, show your characters' choices and development with action, not just with narrative words.
What shining moment have you recently used in finalizing a character arc for one of your characters?
Monday, April 4, 2011
Harry's Character Arc
One of my favorite Tweeps and Bloggers, Laura Pauling, posted today on what a character arc is, and gives a wonderful definition. This got me thinking -- I've not covered story arc yet for Harry. So, with the understanding that a character arc shows the growth of your character, a pivotal change in viewpoint or behavior from the beginning of the story until the end, I thought it might be fun to plot out Harry's arc for each book and then the overall series.
Also, I've highlighted key words in each book that pinpoint that story's particular theme.
PS/SS -- Harry goes from being an unloved orphan living in a cupboard under the stairs, whose most deepest desire of the heart is to be with his (deceased) family, to turning his back on any possibility of being with that family if it means doing the wrong thing (i.e. joining w/Voldemort). His reward is to be celebrated as a hero and win his new family the house cup.
CoS -- Does Harry truly belong in Gryffindor among the brave? This question nags at Harry throughout this story, especially with the discovery of his link to Voldemort with his ability to speak Parseltongue. By pulling Gryffindor's sword out of the hat, Harry proves that he is brave and is indeed in his true House.
PoA -- From the mean-sprited probing of Aunt Marge's tirades against his parents, to the unconformtable truths Harry must face about his Dad, Harry's journey in PoA is a search for personal identity. Are all his preconcepts of his family false? How much does he really know? And who is he truly? When Harry is able to perform the Patronus charm because he understands that HE is capable of doing so, and that it was not his father he viewed doing it, then his quest for personal identity and empowerment are culminated.
GoF -- Just when Harry thinks he's found his magical prowess, his sense of self-worth is attacked by those who do not believe in him. He is the underdog in the Triwizard Tournament. He literally falls on the ground at Cedric Diggory's feet (w/ the portkey to the World Cup). He is the champion no one wants.And he doesn't believe himself that he's capable of winning, let alone surviving. But through tragedy, Harry finds the ability to do the right thing, whether it means winning or losing. In the end, he understands that all who stand against Voldemort are on the same side.
OotP -- At the beginning of OotP, Harry feels unloved and unwanted and is filled with anger. It's almost like he's back in that locked cupboard of the beginning of the series. Throughout the story he seeks to open a closed door, a new door, one that he doesn't know where it will lead. When the locked doors of the Department of Mysteries finally open for Harry, what he discovers is that the love he has had all along (almost in an Oz type of way) is what protects him, and his friends, the best from Voldemort.
HBP -- The very title of this book hints strongly of the internal conflict which confronts Harry throughout -- his sense of trust, compassion, and understanding. Through the continuous journeys into Voldemort's past via Dumbledore as well as the passion and then horror Harry has for the Half-Blood Prince by way of the potions book, Harry is forced to get over prejudices and superficial judgements to seek deeply beneath a person's exterior to understand the "other" through empathetic eyes. Although Harry hates Snape even more passionately at the end of this book, he now has the insight to understand both Voldemort and his mum's old friend in a way that will prepare him for the Horcrux hunt ahead.
DH -- This last story starts out with Harry refusing to allow any of his friends to risk their lives to save him. Harry is still trying to go it alone in all ways. Throughout this book, he confronts what Dumbledore's desire to go it alone has cost both Dumbledore and himself. At the end, Harry not only sacrifices himself for his friends and the entire wizarding world, but also concedes that he needs help (even beyond Ron and Hermione) by giving Neville the task of killing the last Horcrux.
Series as a whole -- The overall series' arc presents a young man's coming of age story with an alchemical motif highlighting his spiritual quest/journey to enlightenment. Harry is indeed a seeker, and he goes from being the base metal of untapped potential at the beginning, to the Philosopher's Stone of pure gold at the end, with each step, each book along the way, a stage in the creation of this elixir of life. Harry becomes a true hero in the sense that his spiritual growth does not benefit himself alone, but brings renewed life to his people as well.
I'm sure others may see some of these arcs differently than I've outlined here? What do you think are some of Harry's growth arcs? What types of character arcs have you used in your own story?
Picture credit for Mary GrandPre's Mirror of Erised
(Check Out JK Rowling's Newest Release -- Harry Potter and the Cursed Child here!)
Also, I've highlighted key words in each book that pinpoint that story's particular theme.
PS/SS -- Harry goes from being an unloved orphan living in a cupboard under the stairs, whose most deepest desire of the heart is to be with his (deceased) family, to turning his back on any possibility of being with that family if it means doing the wrong thing (i.e. joining w/Voldemort). His reward is to be celebrated as a hero and win his new family the house cup.
CoS -- Does Harry truly belong in Gryffindor among the brave? This question nags at Harry throughout this story, especially with the discovery of his link to Voldemort with his ability to speak Parseltongue. By pulling Gryffindor's sword out of the hat, Harry proves that he is brave and is indeed in his true House.
PoA -- From the mean-sprited probing of Aunt Marge's tirades against his parents, to the unconformtable truths Harry must face about his Dad, Harry's journey in PoA is a search for personal identity. Are all his preconcepts of his family false? How much does he really know? And who is he truly? When Harry is able to perform the Patronus charm because he understands that HE is capable of doing so, and that it was not his father he viewed doing it, then his quest for personal identity and empowerment are culminated.
GoF -- Just when Harry thinks he's found his magical prowess, his sense of self-worth is attacked by those who do not believe in him. He is the underdog in the Triwizard Tournament. He literally falls on the ground at Cedric Diggory's feet (w/ the portkey to the World Cup). He is the champion no one wants.And he doesn't believe himself that he's capable of winning, let alone surviving. But through tragedy, Harry finds the ability to do the right thing, whether it means winning or losing. In the end, he understands that all who stand against Voldemort are on the same side.
OotP -- At the beginning of OotP, Harry feels unloved and unwanted and is filled with anger. It's almost like he's back in that locked cupboard of the beginning of the series. Throughout the story he seeks to open a closed door, a new door, one that he doesn't know where it will lead. When the locked doors of the Department of Mysteries finally open for Harry, what he discovers is that the love he has had all along (almost in an Oz type of way) is what protects him, and his friends, the best from Voldemort.
HBP -- The very title of this book hints strongly of the internal conflict which confronts Harry throughout -- his sense of trust, compassion, and understanding. Through the continuous journeys into Voldemort's past via Dumbledore as well as the passion and then horror Harry has for the Half-Blood Prince by way of the potions book, Harry is forced to get over prejudices and superficial judgements to seek deeply beneath a person's exterior to understand the "other" through empathetic eyes. Although Harry hates Snape even more passionately at the end of this book, he now has the insight to understand both Voldemort and his mum's old friend in a way that will prepare him for the Horcrux hunt ahead.
DH -- This last story starts out with Harry refusing to allow any of his friends to risk their lives to save him. Harry is still trying to go it alone in all ways. Throughout this book, he confronts what Dumbledore's desire to go it alone has cost both Dumbledore and himself. At the end, Harry not only sacrifices himself for his friends and the entire wizarding world, but also concedes that he needs help (even beyond Ron and Hermione) by giving Neville the task of killing the last Horcrux.
Series as a whole -- The overall series' arc presents a young man's coming of age story with an alchemical motif highlighting his spiritual quest/journey to enlightenment. Harry is indeed a seeker, and he goes from being the base metal of untapped potential at the beginning, to the Philosopher's Stone of pure gold at the end, with each step, each book along the way, a stage in the creation of this elixir of life. Harry becomes a true hero in the sense that his spiritual growth does not benefit himself alone, but brings renewed life to his people as well.
I'm sure others may see some of these arcs differently than I've outlined here? What do you think are some of Harry's growth arcs? What types of character arcs have you used in your own story?
Picture credit for Mary GrandPre's Mirror of Erised
(Check Out JK Rowling's Newest Release -- Harry Potter and the Cursed Child here!)
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