Showing posts with label Snape. Show all posts
Showing posts with label Snape. Show all posts

Tuesday, February 24, 2015

Withholding Backstory to Ensnare Readers' Interest with Examples from Harry Potter


I once heard literary agent Donald Maass give a workshop on his Writing the Breakout Novel. One thing he said I will always remember -- backstory is called backstory because it belongs in the back of the story.

Too many beginning writers make one big mistake -- loading their first scene, first chapter, first quarter of the book with way too much backstory. They feel that the reader won't understand their protagonist, their plot, their world, unless they TELL ALL upfront. However, this usually deadens the forward movement, the energy of the story, and leaves the reader without any urgent mystery to propel them onward.

One of the most important mysteries you should be pushing your reader to discover is the compelling backstory you’ve withheld. Think about JKR. Her masterful withholding of backstory is the energy that thrust the reader not only through the first book, but the next several to come as well.

Take a look at these key Harry Potter series mysteries, based on backstory, that readers were dying to know:

  • What actually happened in Godric's Hollow?
  • Which side was Snape truly on?
  • Why did Voldemort want to kill a one-year-old baby ?
  • What did Dumbledore see in the Mirror of Erised?


Tuesday, July 26, 2011

Twisting and Deepening the Final Battle

The final plot for the ultimate book of the Potter series was a closely guarded secret. How would this beloved epic end? Millions of readers' fervent expectations, and the financial well-being of the vast Potter empire, all rested on JK Rowling's nimble fingers.

For readers, they were concerned that their beloved friends survive the impending war and that the proper soul-mates hook up together. Many were also hopeful that their pet theories--of who was to die and who was to survive and who was loyal to whom--come to fruition.

For writers, who are more knowledgeably trained in the craft, we knew certain beats of storytelling must be met. What most fascinated us was on speculating HOW Jo would interpret this particular hero's journey.

Evil must be defeated. Harry must triumph, even if he died in the process. And order must be restored. JKR had not dutifully followed the hero's journey to end it short of the ultimate elixir.

The biggest question, for me at least, was how could this amazing mistress-of-surprise delight her readers one final time when expectations and speculations had risen so high? Was it possible that she could pull off one final twist? A twist, that of course, must have been well-laid throughout the vastly scoured pages of these most beloved tomes.

In this final chapter analysis, what I hope to cover are 1) the surprising plotting tricks JKR still had up her magical sleeves, and 2) her unique interpretation of the hero's journey. We'll cover plot twists in this post, but to keep the length sane, the hero's journey will follow another day.

With JKR, a plot twist is never just a craft technique alone. It must carry a deeper meaning to the whole series.  Therefore, this plot analysis is closely linked to the one I did a couple of days ago on themes in the final battle.

First up, that master of disguise, Snape:

JKR's ultimate plot twist, of course, was Snape. And while many of you will say that you knew Snape was loyal from Book 1, many readers had serious doubts up until the final shared memory. I can clearly remember discussing with a relative of mine, after finishing Half-Blood Prince together in July 2005, whether Snape was good or evil. My relative is extremely intelligent, well read, and a prolific writer. And he was convinced Snape was guilty. I was sure he wasn't.

We discussed the evidence. In the end, my kin had doubts about Snape's guilt, just as he'd introduced the faintest niggle in my mind as to where Snape's loyalty lay.

That's how well planted a trail of clues and red herrings JKR left for her readers. The evidence pointed in both directions, but only one side would emerge victorious.

Snape's act of mentor mercy killing, his role as double agent, was pivotal in bringing about Voldemort's demise. It was his reason for doing it, however, that had left most Snape supporters divided. Many were on the Snape/Lily ship well before the last book's release. Others believed Snape to be acting with goals of his own personal power. This last surprise of motivation was carefully concealed until the final book to keep the readers guessing and intrigued.

On that, JKR succeeded brilliantly.

The complete story of how JKR wrought the mystery of Snape is fit for a book, not a (relatively short) blog post. However, I will say that although Snape had exited the scene before the very final chapter, his actions still affected Harry's ultimate outcome. It was Snape's loyalty to Dumbledore, which Harry threw in Voldemort's face, that most unsettled the Dark Lord. Because it was in learning that Snape had not conquered Dumbledore, as Voldemort had believed, that left Voldemort holding a useless wand. Without Snape's actions, Harry would not have been triumphant.

And without Snape, JKR could not have shown off the depth and complexity of two of her crucial themes -- the power of love and the importance of choice. Because Snape had loved, he was able to make a better choice than Voldemort, who knew not love. Even to have loved once and lost is better than to not have loved at all.  For love is that ultimate elixir that protects the soul from ultimate destruction...always.


A come-from-behind mother, Narcissa:

For me, the surprise twist that caught me the most off guard was the role of the Malfoys, especially Narcissa, in the final battle. Who would ever have thought that the mother of Harrry's school nemesis and the wife of the Dark Lord's second lieutenant would be Harry's final savior? That one, JKR completely snuck by me.

And yet, she prepared the reader well for Narcissa's surprisingly soft hands absorbing Harry's very alive heartbeat as she touched his chest to verify his death for Voldemort. Yet, it was her Dark Lord Narcissa betrayed, not Harry. And the betrayal was due to her mother's love, a theme JKR had developed from the very beginning, not only through Lily's sacrifice, but the love of mothers such as Molly Weasley and Alice Longbottom. Even Petunia loved Dudley dearly, though her short-sighted love sometimes caused more harm than good. And we must not forget those loving packages from home that Draco's owls constantly brought him. Indeed, the crucial criteria separating Narcissa from her deranged sister Bellatrix is that Narcissa bore a mother's love.

So, in JKR's wonderfully circular way of writing, a mother's love stopped Voldemort in Godric's Hollow as a mother's love stopped him in the Dark Forest. In essence, Narcissa prepared Harry's body for his final resurrection in the Great Hall. (There may even have been a hint of Mary Magdalene in Narcissa's hair touching Harry's body).


Harry, a simple hero with a standard spell:

The final, greatest mystery yet to be unveiled was in what manner would Harry defeat Voldemort. Defeat him, we knew he must. But how?

For an author who had based so much on her theme of love and the maiming of one's soul through killing, how would Harry kill and yet perfect his hero's journey at the same time? Surely, love would play a part. But how could love truly bring down a tyrant?

Of course, there could be a magical explanation for whatever devise she used, but with a writer of JKR's caliber, every magical and fantastical element in her created world must have a realistic counterpart in our everyday one.

In other words, to uncover the true ticking of JKR's final plot, we must understand what all that wand lore symbolizes in our real world.

In JKR's adept fingers, Harry defeated Voldemort not because he became a killer, but because he sacrificed himself for others. Harry defeated Voldemort not because he murdered, but because he refused to harm anyone any more. Harry won the wand off Draco not through killing a school bully, but in yanking it out of Draco's hand in his bid to protect his mates. Harry's triumph was a culmination of always seeking to protect others, to put an end to tyranny, and to remain true to his core beliefs.

In the end it must be noted that of all the Horcruxes destroyed, Harry killed only one. Harry had learned to join forces with others, to trust in the wisdom of his mentors, to lay down his life to save many, and to always seek to disarm rather than to harm.

All these lessons are just as real in our world as in Harry's.

And so, what of that ultimate fantasy weapon, the wand? How could a hero in ours truly stop a tyrant by disarming his wand? In our world, we do not have wands. But we have power. And we have tyrants who wield their power over others like Voldemort does with his wand.

When a ruler uses his power to harm his people, it can be stripped away if those oppressed rise in unified protest. Tunisia and Egypt are two recent examples. People rose up. People fought. Yes, people were killed, but the dictators' wands were ultimately disarmed.

As writers, I believe that we must plot the significance of our climax as carefully as we plot the actions which lead up to it. It's not only important to tie up most loose ends and to deliver that final, stunning twist. It's also crucial that the story have import.

Through leaving revelations of character motivation and action to the final chapter, coupled with a well-prepared trail of clues, JKR satisfied her reader with final surprises. Above all, JKR twisted every significant action and surprise with even deeper meaning into the themes of life she explored.  Because she wove her story throughout with meaningful subtext relevant in today's world, she ensured her readers would not soon forget Harry.

Above all, your reader will remember your characters' final triumph. If it's weak, or not well grounded in reality, your story will soon be forgotten. But if you plot your story well, both the above ground action and below the surface meaning, then you should leave your reader with the thrill of a satisfying read that warms their heart and is not soon forgotten. And that they then tell their friends about.

What plot twists have you saved for the ending of your manuscript?  How is that particular surprise relevant to your story's main themes?


(Update: I'm away from home using a slower computer and am noticing that sometimes the comments below don't load. There IS a comment trail. If you are not seeing it, try reloading. Your connection may be too slow).

Friday, July 8, 2011

One Potent Word

This article was originally published on the blog of BelleBooks, who published my short stories, as a guest post. But because it's such a great example of how JK Rowling hides important clues so deftly, with the magician's sleight of hand, I wanted to bring it home here as well.

Sweep with me back in time to one of the greatest cliffhangers in contemporary literary history, to the penultimate book of the Harry Potter series, Half-Blood Prince. For fans of the Boy-Who-Lived, let me refresh your memories, or for the few of you who are not familiar with the magical madness, let me clue you in. At the climax of this story of trust and betrayal, Snape, the nasty, hate-filled Potions' Master with dark secrets and a darker past, kills, before Harry's very immobilized eyes, the beloved, benevolent Headmaster Dumbledore.
Artist: Neysha-Sheyla

Dumbledore, that wizened, silver-haired wizard, who had been Harry's foremost mentor, had trusted Severus Snape completely--a man Harry loathed. Dumbledore's guiding lesson to Harry had always been that love was the most powerful lesson of all, and that appearances may oftentimes be deceiving. We must look below the surface of a person and seek what is within.

After Half-Blood Prince's shocking ending, until the release of the final book, Deathly Hallows, fans ferociously, vocally, and sometimes even bitterly argued as to where Snape's loyalties lay. Did he truly kill Dumbledore as we believed we witnessed along with Harry...or was there writerly hocus-pocus that involved dangling some rather smelly fish of the reddish hue?

Artist: HaveYouSeenMyGenius

The basic argument centered around Dumbeldore's dead and blackened hand that JK Rowling had taunted the reader with from the beginning of the story -- a result of a cursed stone Dumbledore had unwittingly touched. Was Harry's mentor doomed from the beginning of the book? Had he cooked up a plan to save young Draco from committing murder by charging Snape with his own mercy killing? Had Snape raised his wand and uttered the death spell with loathing in his eyes for his hated headmaster, or revulsion at himself at what he had promised his most loyal friend he would do?

Along with many others, I argued on the side that Snape, though in many ways a nasty piece of work, was loyal to Dumbledore until the end, that he had performed the last, and most difficult service this great man had requested of him. Not that I would admit any other side now. :-)

Thursday, February 17, 2011

An Exciting New Venture!

Belle Books, the publisher of my short stories, including my upcoming "Running Raw," has decided to host a regular column for Harry Potter for Writers! The first post is live today!!  Yes, I'm thrilled!!!! :-)

Are you like the millions of other fans who between the releases of Half-Blood Prince and Deathly Hallows agonized over that gut-jarring ending? Did you scour the pages for JKR's slyly laid clues as to whose side Snape was truly on? If you did, I'm hoping I may still have found one expertly hidden gem to surprise you.

Or, if you're a writer interested in how to plot twists and mysteries into your story without showing your hand prematurely, I hope this post will offer a tip to help you along.

Either way, please check out my post, One Potent Word, and please leave comments.

BellBridgeBooks is an imprint of Belle Books, an independent, multi-genre publisher based in Memphis, TN -- a small press doing wonderful work.  Their authors include NYT bestsellers Deborah Smith and Jill Barnett, Pulitzer nominee Janice Daughatry, and Edgar winner Mark Nykanen. I've worked with BelleBooks for years on my short stories and they are wonderful to publish with -- personable, responsive, and eager to do the best for all their authors. I highly recommend that you check them out!

Here's a snippet of my post:
The end of Half-Blood Prince has been finely picked over by a rabid Harry Potter CSI team. The emotions burning through this ending surely obscured most of our views for anything less pressing than dealing with the murder of Dumbledore at the hand of his trusted confidant Snape. But clues litter the crime scene and we must push the emotion aside to uncover them.

Friday, August 20, 2010

Snape's Gray Undies

It was one of JK Rowling's most memorable scenes from Order of the Phoenix, one that fans could not wait to see come to life on the big screen, and not just because they were eager to view the four marauders together, alive as teenagers.  No, everyone wanted to see Snape and James go at each other.  And many were dying to laugh at Snape's graying underpants.

    Behind [James], the Impediment Jinx was wearing off.  Snape was beginning to inch toward his fallen wand, spitting out soapsuds as he crawled.
   "I wouldn't go out with you if it was a choice between you and the giant squid," said Lilly.
   "Bad luck, Prongs," said Sirius briskly, turning back to Snape.  "OY!"
    But too late; Snape had directed his wand straight at James; there was a flash of light and a gash appeared on the side of James's face, spattering his robes with blood.  James whirled about; a second flash of light later, Snape was hanging upside down in the air, his robes falling over his head to reveal skinny, pallid legs and a pair of graying underpants. (p. 647, OotP)

I do not think those gray undies are thrown in casually for a bit of nasty flavor.  Indeed, I think JKR possibly crafted this whole scene around them.

This view through the Pensieve opens Harry’s eyes to the fact that he’d placed his father on a pedestal that was both unhealthy and unrealistic. The world is not filled with good people and Death Eaters, but ultimately most of us are various shades of gray. And that’s where Snape’s exposed undies come in. Snape, like his undies, is one of the grayest.

Snape was deliberately constructed by his creator to be a man of uncertain allegiance, trusted by few, doubted by many, living in a world of shadows, existing on both sides of the Dumbledore/Voldemort divide. A man who intentionally concealed secrets and motivations.  A character of ambiguity.